Friday, March 28, 2008

Someday tent project



I want to build the tent with the pine branches and the wooden door on it in this picture from the Romance of Alexander (Bodley 264), c. 1338-44.

*sigh* So many projects, so little time.

I've been working really sporadically, but still furiously on my Flemish kit. More updates on my Flemish blog.

Yours in Service to The Dream,
Gillian
(Gille? Gill? Giles? <--That's my name when I'm in armour.)

Thursday, March 6, 2008

Tablet weave garters

So I'm currently dabbling in tablet weaving and I think I'm making garters for my hosen. I'd also like to make another pair of hosen with the wool scraps from my new wool. The garters will be dark blue, teal-ish blue, and orange wool/silk.

I've been using cotton scraps for garters up to now. I'm just having a problem sitting down and finishing my tablet weaving. It makes my back hurt. Maybe I can entice Gwenyth to finish it for me...I'll have to ask her next week. I can make her one of the new bags. More about those later.

YiStTD,

Gillian

P.S. I took down the Flemish garb posts and moved them to a new blog of their own: http://flemishgarb.blogspot.com.

YiStTD,

Gillian



Wednesday, March 5, 2008

Research is so much easier with the internet.

I'm pretty sure that my generation will never pick up a book from the library again unless they go for Master's degrees or PhD's. I love the ease of the internet, the ability to cut and paste and bring multiple sources together in seconds. I feel like the people who went to college just ten years ago were left out of this information access. Internet research will dominate the academic world forever.

I'm so glad I can sit at home, watch the History Channel and research my Flemish gown from sources, paintings, and anecdotal recreations from all over the world.

What a great life for academics.

YiStTD,
Gillian




Tuesday, March 4, 2008

13th-14th century drawstring pouches with stamped designs

Ever since I checked out that textile book last summer, I've had it in my head to create a stamped fabric creation of some sort.

After much mulling over and hopeful thinking and studying of shapes and designs, I've finally decided to do some test samples. At first they will be very simple: a Fleur-de-li and a three-cornered Celtic knot. But I hope to move onto some of the garland and flowery prints as I develop. I'm hoping Corwyna will help me create wood blocks for printing eventually. For now I'm going to make very simple closed-cell foam versions.

There's about a million and a half ways to make these bags, so I thought a broad view of as much information as I can get a hold of was important. This site about pouches and bags and reliquaries, Oh my! has excellent links to pictures and information of different styles of bag.

This bag is the shape that I'd like to create. The silhouette, if you will:


"woven of silk and wool with the arms of Brabant-Limbourg and Bourbon, 1291-1310"
Picture Source
Caption Source


I'd like to have tassels attached like in this picture:


1300-1330
Picture Source (This is my screen capture of detail. You can find the full picture at this site.)


And this is sort of what I'd like to eventually accomplish as far as print styles go:


"Small bag or aumônière made in Italy in the 14th century; fabric is apparently a form of brocade made of silk, linen, and cotton"
Picture Source
Caption Source

So that's it for now. See you tomorrow.

YiStTD,

Gillian


A good answer to someone's question on SCA-Garb Yahoo Group

This question was asked by a new fighter's mother on SCA-Garb Yahoo Group that I belong to. I was impressed with my answer--that sounds self-involved, doesn't it? Anyway, I thought it was a good solution to her problem, so read on.

I'm not sure where else to ask this question.

My son is now an authorized fighter, as of last weekend. Of course, nothing will do but that he LOOK splendid. Problem is, I know JUST what I want, and have no idea where to find a pattern to use or adapt for what I want. Maybe ya'll can help me.

I've seen fighters in surcoats with "cap sleeves" and split "skirts". The coats usually have ties in front or back.

Am I making sense? And can anyone here point me in the right direction to find a pattern for this? I could probably "wing it"....but this is for my son, and it has to be JUST right. (nooooooo....*I* am not a veryproudMommy)

Fiondel

Mother of Arthur Gordon, newest Calontir fighter


Congrats to your son, Fiondel. I hope to be taking that journey later
this summer. As a new fighter (and a girl who loves to sew), I too
want to look good and avoid the barrel plastic/carpet look. I've been
at the books with this problem for a few months and this is what I've
found.

I might know what you mean by cap sleeves, but split skirts are a must
for any fighting tunic that falls below the hips any distance for the
sheer need for mobility.

That said, there are literally thousands of ways to make a fighting
over-tunic and even more ways to decorate it.


Three things to consider when choosing a style:

1.) Is it mobile enough for my fighting style? (This is VERY
important! A fighting tunic designed for speed and agility in a
tournament differs greatly from one for giant melee wars like at
Pennsic where heat and exhaustion become important factors.)

2.) Do I want to research and provide authentication for my style, or
do I just want something that fits and looks good and damn the A&S
exhibit? (The latter is a very valid choice, especially if you're low
on funds/skills/time)

3.) How much money, time, and skill do I have and what can I do with
them? (Cotton bedsheets in a rainbow of colors can be had from
second-hand stores for a few dollars. Please, PLEASE use all-natural
fabrics (not wool though--too hot--although there may be some who
disagree with me) for fighting garb of any sort because polyester will
hold heat close to the body and can cause a myriad of heat-related
health issues. Sewing machines can be found there as well or retail
for as low as $70 dollars and as high as $7000. Will you need help
drafting a pattern or draping and pinning? How will you finish the
seams? Decorate with appliqués or embroidery?)


********
Now onto your suggested style of tied tunic with cap sleeves:

I would wing it if your son is set on that look.

Before you do that, though, talk to some fighters wearing that style
and pump them for information:

Is it documentable and what is that documentation? (again, if this
matters to you, if not, then ignore this question. If you do ask it,
pick a good time--not right before the fight and not right after.
Give them a few minutes to warm-up/cool down.)

How does it wear in the heat? Is it easy to clean? What kind of
fabric? How long did it take to construct? Ask any questions you
feel necessary and make sure to write down the answers. Maybe even
get contact information so if you have another question, you can email
them. It's a good way to make new friends and a great way to learn a
little bit about various cultural differences in the SCA.

IF you cannot find anyone to talk to about the style, I would sit down
and sketch and fiddle with what the style will look like--even if you
cannot draw. Many period styles are based on geometric shapes and are
easy to draft out on graph paper.

This is what I *think* you are looking for from your description:


Body front and back:



Sewn at shoulders and has open armpits, "cap sleeves" attached along
the top of armscye and not all the way around.

Attaches around body by ties at the bottom of the armscye and at the
hip, but you can add more if necessary.

The sides below the hip are open to the hem for mobility.

You can shorten or lengthen the hem as needed.

Reinforce the neck scye, the armscyes, and the ties because they will
get a lot of wear and tear. Plan on replacing the ties periodically,
and maybe after the first battle--a small hand sewing kit throw into
the armour bag should be a part of his armour repair kit anyway.


Sleeve:



Covers only spaulders/pauldrons and ties underneath arm.

Make sure you measure the spaulders so that they completely cover them
and do not impede the movement.

Make the ties long enough and reinforce them at the sewn points. I
would cut them from strong fabric on the bias, or use 1" bias tape
sewn closed.

Do not use poly or cotton "rope" trim from the fabric store for the
ties. At first chance it will unravel or break and it's a pain in the
butt to sew securely onto cotton/linen/anything. If you *must* use
it, get a smaller gauge (less than 1/2") and hand sew it on so you can
be sure it's on tight.

(EDIT 2/4/08: thinking about this more in depth, using tablet or inkle-woven bands, lucet cording, or finger loop braids would be very period depending on what era you're involved in. They look cooler too. The tablet weaving doesn't have to be intricate, a simple one-color band would do as well as anything fancy and you won't be as devastated when it rips.)

***************************************

So I think I just solved my own problem with surcote sleeves. It makes me happy. I like this a lot. Not to mention that a plainer version will allow my Clan tabard to stick out better in a crowd. However, while these plans are for "to the elbow" sleeves, I think I'll be making mine long enough to cover my yucky ugly plastic wrist bracers.

YiStTD,
Gillian



Monday, March 3, 2008

Persona Identity Crisis

So I know I'm not the only one who changes or wants to change or has changed their persona, but I'm in a real pickle here. I've got eighteen thousand projects in various stages of development currently and they all seem to be from different eras and places. It really puts me in a bind as to who Gillian wants to be within the Society and what Melissa wants to spend her mundane time doing.

I've always had the goal in the SCA to avoid MPD--Multiple-Persona Disorder--because I think it's tacky if done wrong. But I also like being able to blend in with my surroundings and having a multitude of options. I have this sort of obsession for the accurate and documentable. It's not enough for me to know how things were done, I have to achieve it too. I guess it will help to list and describe the projects that are pulling me in these many directions.

Let's go in order of importance:

1.) Rework "Beyond the Wench: Mid-16th Century Garb on a Budget" to fit a 30 minute class time by the end of April, including my own sample researched Flemish outfit from the skin-out, including headgear with a budget of $30. I only have the research, drafting, and chemise finished (and the chemise isn't truly finished--HEMS!).

2.) Finish gambeson, surcote, chausses, braises, and other non-garb elements for my fighting kit.

3.) Finish test samples for toddler garb for eBay. I need the cash and I need to free up the space that my less historic fabrics take up for my new nest of delightfully expensive new textiles.

4.) Use some of the new wool flannel to make a winter peplos so I can play as a Celt sometimes.

5.) Use the new silk to make a simple 13th C. Persian-inspired garb for ME-themed events.

6.) Use new linen for making another 13th century gown, surcote, and ruffled fillet/barbette for summer courts.

7.) Use new wool and linen to make Viking dress and apron (and coif), respectively.

8.) Use new wool for making another 13th c. gown for winter courts.

9.) Make fabric stamps for sample 14th c. drawstring fabric pouches. That would preclude me actually making the sample bags as well.

10.) Make some simple Byzantine garb with research and extant examples/paintings/other art because I feel like it isn't well-represented in this area (or in the Midrealm for that matter).

11.) Repair and finish all garb in my wardrobe. This include hems, cuffs, and neck scyes.

12.) Organize sewing materials and notions and give them their very own area in the apartment, with a distinct sewing table. Go through fabric collection. Put aside fabrics for the Canton newbie garb event next Fall. Consolidate scrap bags. Sort fabrics by type into separate tubs. Sell fabrics with value, but are of no use to me. Use older/yuckier fabrics in my collection to make Pennsic junk garb that I can destroy without feeling guilty.

13.) Die of overwork and take 10-day vacation at Pennsic with all my garb finished AT LEAST 3 weeks beforehand. (HA!, yeah right.)



I'll stop there because it's my lucky number, ironically. Legend has it that Friday the 13th is considered unlucky because the Knights Templar were attacked en masse and destroyed on Friday, October 13, 1307 by King Phillip the Fair of France. There is no documented date of the incident though, so don't listen to what History Channel tells you as it is often very, very wrong.


YiStTD,
Gillian